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- <text id=92TT0026>
- <title>
- Jan. 06, 1992: Best of 1991:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Jan. 06, 1992 Man of the Year:Ted Turner
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 79
- BEST OF 1991
- </hdr>
- <body>
- <p> 1. BUGSY
- </p>
- <p> American Dreaming by the gangster Bugsy Siegel, who,
- besides inventing himself as a Hollywood celebrity, invented Las
- Vegas as the playground for our more primitive fantasies. Warren
- Beatty and Annette Bening are terrific in director Barry
- Levinson's smart-ironic, romantic-perverse, funny-poignant take
- on modern life in a fast, deadly lane.
- </p>
- <p> 2. MY FATHER'S GLORY/MY MOTHER'S CASTLE
- </p>
- <p> In a radiant two-part adaptation of Marcel Pagnol's
- autobiography, French writer-director Yves Robert imagines
- family life in Provence as a storybook dream: loving parents,
- adventurous but obedient children, an idyllic refuge every
- summer. This old-men's view of youth tells us that memories are
- precious because life is short.
- </p>
- <p> 3. EUROPA, EUROPA
- </p>
- <p> In World War II Germany, a Jewish adolescent survives by
- becoming a member of the Hitler Youth. Writer-director Agnieszka
- Holland based her miraculously jaunty, profoundly moving
- portrayal of the will to live on the true story of one Solomon
- Perel. And Marco Hofschneider plays him with a stunned guile
- that goes beyond acting.
- </p>
- <p> 4. JFK
- </p>
- <p> If the political savants who have been denouncing this
- zippy melodrama hadn't already existed, Oliver Stone might have
- invented them, because they fulfill his one-size-fits-all
- conspiracy theory. Hyper down, pundits! Don't deny Stone the
- right due any artist: to interpret history through his own
- prism. And give moviegoers the chance to make up their own minds
- about who shot President Kennedy. The only thing that Stone's
- dazzling assemblage of political-science fiction attempts to
- assassinate is complacency.
- </p>
- <p> 5. BLACK ROBE
- </p>
- <p> A Jesuit priest goes into the 17th century Canadian
- wilderness to convert the savages and is himself converted,
- after terrifying adventures, to cultural relativism. Bruce
- Beresford's dark dance with the wolves of the spirit is an
- intelligent, perfectly controlled epic.
- </p>
- <p> 6. PARIS IS BURNING
- </p>
- <p> At the Harlem drag balls, gents parade in costumes and
- personalities of their own baroque creation. Jennie Livingston's
- thrilling documentary is not just about what it means to be a
- member of the triple minority of gay black transvestites. It is
- a testament to the desire--pathetic, heroic, overwhelming--that all dreamers have for transcendence.
- </p>
- <p> 7. THELMA & LOUISE
- </p>
- <p> Road picture, feminist parable and populist comedy, this
- tale of two ladies looking for adventure and getting more than
- they bargained for outraged the humor-handicapped, but dug into
- the ribs of the ribald. In the title roles, Geena Davis and
- Susan Sarandon were gloriously wiggy.
- </p>
- <p> 8. BEAUTY AND THE BEAST
- </p>
- <p> There's plenty of animation dazzle in Disney's latest
- tuneful fable; the Be Our Guest number manages to evoke both
- Busby Berkeley and the Folies-Bergere. But Beauty swaps the
- buoyancy of Disney's last great cartoon feature, The Little
- Mermaid, for poignancy and emotional depth. That's fine too
- since, at heart, this story is about a man's need to evoke fear
- when he is really afraid, and a woman's need to pity a man
- before she can love him.
- </p>
- <p> 9. RAMBLING ROSE
- </p>
- <p> Laura Dern's innocent horniness as the servant girl who
- gets a middle-class Southern family all hot and bothered was
- one of the year's comic and erotic delights. Calder Willing
- ham's script and Martha Coolidge's direction flavored a warm,
- steamy brew with just the right amounts of lemon and honey.
- </p>
- <p> 10. THE COMMITMENTS
- </p>
- <p> If you can still sing along to a movie four months after
- it opens, it probably deserves to be here. The music in Alan
- Parker's let's-put-the-show-on-right-here-in-Dublin
- entertainment is classic '60s rhythm and blues performed by
- white folks with a brogue, but the spirit is reverent and
- genial, not culturally imperialistic. The soul is part Wilson
- Pickett, part early Beatles; the guts are supplied by
- 16-year-old lead singer Andrew Strong. See this roadhouse lark
- again and feel better about 1991.
- </p>
- <p> THE LONGEST YAWN
- </p>
- <p> What is longer than the fully erect ego of a movie
- director determined to make a "statement"? The patience,
- obviously, of movie executives determined to indulge his or her
- imperious auteurship. And the inordinate length of the movies
- now trying our patience. The good (JFK) would be better, the
- so-so (The Prince of Tides) greatly improved, and the bad (Hook)
- less tiresome if everyone would learn to get on and off in under
- two hours. Give us a break, guys.
- </p>
-
- </body>
- </article>
- </text>
-
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